WE'RE FINALLY WATCHING FRANKENWEENIE! Join Luke and Audrey as we experience Tim Burton's heartwarming stop motion masterpiece ...

If there’s a filmmaker that knows how to knock it out of the park with each new stop-motion film he releases, that would be Tim Burton. Each of his animated films can be considered a classic, with its ...

It isn’t much of a hot take to suggest this, but the only classic Universal monster movie better than James Whale’s 1931 Frankenstein is his 1935 sequel, The Bride of Frankenstein. In fact, the only ...

Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s alive. Just months after Guillermo ...

It’s alive! I’m talking about the legend of “Frankenstein.” I thought the reanimated corpse of it came close to slipping off life support in Guillermo del Toro’s “Frankenstein,” a movie that, to me, ...

Here comes "The Bride!", Maggie Gyllenhaal's extremely messy, extremely inventive film that dares you to try to neatly fit it into one genre. It's a sort-of-musical, meta-sequel-reboot, comedy, love ...

The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of ...

Add Yahoo as a preferred source to see more of our stories on Google. Jessie Buckley in the title role in The Bride! (Warner Bros.) A 1930s gothic romance set in Chicago? Say less. Maggie Gyllenhaal ...

Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties ...

There are more movies based on Mary Shelley’s “Frankenstein” than nearly any other story ever published. But something’s missing from a lot of them. Most “Frankenstein” movies have a mad scientist, ...

Peter Sarsgaard, Penélope Cruz, Annette Bening and Jake Gyllenhaal also appear in this punk-rock exhumation of a character only briefly introduced in Mary Shelley’s novel. By David Rooney Chief Film ...